Two donut charts are used to depict percentages of visitors from across Australia accessing the National Collecting Institutions.
On-site visitors included, 85.1% from major cities, 14.7% from inner and outer regional areas, and 0.2% from remote and very remote areas.
Off-site visitors included, 25.8% from major cities, 71.9% from inner and outer regional areas, and 2.3% remote and very remote areas.
The text '37.7 million website sessions' is shown within a line drawn image of a computer screen.
An image of a thumbs up icon has accompanying text which reads, 'Visits to the National Cultural Institutions' websites included 171.5 million page-views and averaged 4.5 page-views per session'.
A line drawing of a TV and people and text listing the annual cumulative audience of Screen Australia supported TV productions over five years.
2023–24—92.1 million
2022–23—94.5 million
2021–22—155.7 million
2022–23—148.5 million
2019–20—115.8 million
A line graph depicting annual attendance at Creative Australia supported activities over five years, including line drawings of a violin, megaphone and theatre masks.
2019–20—25.5 million
2020–21—20.9 million
2021–22—10.9 million
2022–23—19 million
2023–24—18.1 million
The 2021–22 figure includes an additional note which states 'COVID-19 disruptions, including national, state and territory COVID-19 safety measures such as border closures, social distancing requirements, public gathering limitations, and COVID isolation requirements; audience confidence levels post-COVID restrictions; and extreme weather events impacted levels of attendance in 2021–22.'.
A line drawing of an increasing number of cubes representing how the annual number of objects in our national collections is increasing
2019–20—11.9 million objects in the national collection and 8.7 million objects available to the public
2020–21—12.1 million objects in the national collection and 8.7 million objects available to the public
2021–22—12.6 million objects in the national collection and 8.8 million objects available to the public
2022–23—15.2 million objects in the national collection and 8.7 million objects available to the public
2023–24—15.6 million objects in the national collection and 11.3 million objects available to the public
Line drawing of five cubes and text '15.6 million total collection size of the National Collecting Institutions'.
Text inside an image of a computer screen and the text 'Over 3.2 million objects digitised'.
Text '11.3 million objects were available to the public' and an additional note which states that the total objects available to the public includes objects that were on display, online, on tour, or otherwise available to the public.
Text '16,743 objects were available on display'.
Text '2,410,670 objects were available online'.
Text '641 objects were available on tour'.
Line drawing depicting 209 projects selected for festivals. Drawing uses an icon of representation of Australia for national projects and a globe for international projects.
115 national (line drawing of a map of Australia)
94 international (line drawing of a globe)
A bar graph depicts the number of projects selected for festivals over five years.
2019-20—163 national and 99 international
2020-21—121 national and 59 international
2021-22—130 national and 62 international
2022-23—80 national and 121 international
2023-24—115 national and 94 international
A line drawing of a film reel and a screen and the text 'Number of projects supported*'. An additional note states '*2020–21 onwards shows a significant fall in number of new Australian artwork projects supported due to the change in methodology used in 2019–20 applied by one of the institutions (change from counting individual artworks to counting discreet projects).'
2019–20—11,414 new Australian artwork projects and 1,157 culturally diverse projects and events
2020–21—688 new Australian artwork projects and 630 culturally diverse projects and events
2021–22—666 new Australian artwork projects and 626 culturally diverse projects and events
2022–23—650 new Australian artwork projects and 705 culturally diverse projects and events
2023–24—793 new Australian artwork projects and 765 culturally diverse projects and events
A line drawing of three figures depicting an adult with two children and the text '18.1 million attendances at Creative Australia supported activities'.
A line drawing of a TV and the text '92.1 million cumulative audience for Screen Australia supported TV productions'.
A line drawing of a figure walking up to an artwork and text '793 new Australian artworks supported.
Line drawings of five computer screens increasing in size, representing the number of objects digitised in our national collections annually over five years
2019–20—2.1 million.
2020–21—2.4 million
2021–22—2.5 million.
2022–23—2.9 million
2023–24—3.2 million.
A line drawing of a generic building is accompanied with the text, '6,882 school visits to the National Collecting Institutions'. School visits include on-site, off-site and online visits.
Program visits line graphic depicting
1,957,349 public program visits
2,245,925 student program visits
A list of Survey Results includes:
93.8% teachers reported an overall positive experience of their visit (image of a star icon)
94.7% teachers reported relevance to the classroom curriculum (image of a tick icon)
95.1% public program visitors reported overall satisfaction with their experience (Image of a thumbs up icon)
A line drawing of a bus depicting the annual number of schools that visited on-site and off‑site over five years.
2019–20—5,135
2020–21—2,138
2021–22—1,008
2022–23—4,560
2023–24—4,980
A bar graph depicts the annual proportion of student and public program visits over five years.
2023–24—4,203,274 total visits comprising 2,245,925 student program visits, and 1,957,349 public program visits.
2022–23—3,086,410 total visits comprising 1,766,067 student program visits and 1,320,343 public program visits
2021–22—1,998,616 total visits comprising 1,691,971 student program visits and 306,645 public program visits
2020–21—1,819,172 total visits comprising 1,553,302 student program visits and 265,870 public program visits
2019–20—1,341,079 total visits comprising 854,291 student program visits and 486,788 public program visits
Line drawing of people outside of the National Museum of Australia, National Library of Australia and the National Gallery of Australia. Text accompanying Image reads, '7.3 million visits to the National Collecting Institutions'.
Two pie charts are used to provide the proportion of off-site and on-site visits. Pie charts depict:
3.5 million off-site
3.7 million on-site
The referenced media source is missing and needs to be re-embedded.
A line graph of annual on-site, off-site and total visitor numbers over five years and the text 'Onsite visitor numbers to National Collecting Institutions begin to recover from COVID-19.'
2019–20—11.6 million total visits, 3.3 million on-site visits, 8.3 million off-site visits
2020–21—7.6 million total visits, 2.6 million on-site visits, 5.0 million off-site visits
2021–22—5.3 million total visits, 2.0 million on-site visits, 3.3 million off-site visits
2022–23—7.9 million total visits, 3.8 million on-site visits, 4.1 million off-site visits
2023–24—7.3 million total visits, 3.7 million on-site visits, 3.5 million off-site visits
A line graph of annual visits to the National Cultural Institutions' websites over five years.
2019–20—47.3 million
2020–21—43.1 million
2021–22—41.8 million
2022–23—34.8 million
2023–24—37.7 million
Line drawing of seven people with the text '823 volunteers generously gave their time to the National Collecting Institutions'.
Line drawing of a globe with the text '517 international initiatives that strengthen ties with other countries.'.
Line drawing of a mortar board with the text '1,409 domestic and international collaborations with cultural and educational institutions.'
New research has investigated how Australia’s creative workforce and economy can best be supported to thrive and create lifelong careers in the arts sector.